Sunday, November 16, 2014

HEAR THIS: Mark & Bruno Shoot for "Uptown Funk"

I'm well aware that the fab new single "Uptown Funk" is the lead offering from producer wunderkind Mark Ronson's upcoming fourth album project, Uptown Special. However, he can give Mr. Bruno Mars all the credit due for me having any interest in this project at all.

I'm no Ronson Hater -- it's hard to be a fan of modern music and not feel the weight of Ronson's production brilliance (Amy Winehouse, Adele, Christina Aguilera, Solange, even Bruno himself). But for me, I personally feel like Bruno Mars can do no wrong (and the weight for Album #3 is truly killing me).

"Uptown Funk" plays to Bruno's vocal strengths and relishes in the style that Ronson is so gifted at crafting -- a throwback feel to times long before everything was Auto-Tuned, Four on the Floor. The layered handclaps, guitar, and vocal bass takes everything right back to the 70's. The Commodores, Earth Wind & Fire, KC & the Sunshine Band, awwww, yes honey! "Funk" in the title is no accident.



2015 is a breath away but this remains to be a late entry to one of the best songs released in 2014. I'm saying, though.

Sunday, November 09, 2014

BACK IN THE DAY: Retro Rewind in the Q4 Time Machine

Those of you who know me know I'm a bit of a Chart Nerd. Today, in the vein of a Back In The Day meets my old What's Going On columns of yore, we're going to take a trip in the DeLorean (if you don't get that reference, you're too young for me) and see how music (and the Hot 100) has changed in the past twenty years. Let me know what you think of this format in the comments -- I'm really enjoying it.

Thursday, November 06, 2014

LIVE FROM NEW YORK: Nick Jonas breaks from his group "Chains" (& Gets "Jealous" with Tinashe) in Brooklyn!

Paging Kevin Jonas. He's officially the only remaining Jonas Brother for me to see live in the past two weeks.

Last night, I headed to the Music Hall of Williamsburg -- which is quickly becoming one of my favorite venues -- to see the youngest (professional) Jonas Brother, Nick Jonas, assuage all my qualms that ditching the final JB record in favor of going solo was the right decision. Yes, I'll finally admit it.

Let's be real here. This is the third official time I've seen Nick perform live (if you don't count when I saw him on Broadway in How To Succeed... -- and he was fantastic there, too) and the prior two times, although admittedly were during the height of his fame with his brothers, were in considerably larger and less intimate venues. Nick could easily have chosen to showcase the material for his upcoming "debut" solo record (if you don't count Who I Am, the Nick Jonas & The Administration album that was out back in 2009) in more mid-size venues, at least in the New York metro area. The Beacon Theatre, maybe, or the Best Buy Theatre. 

Instead -- he chose three relatively small spaces in the Gramercy Theatre, the Music Hall of Williamsburg, and the Rough Trade (the former in Manhattan, latter two being in Brooklyn). This kept ticket prices quite low and allowed almost everyone in the room to have a great view of just how hunky he is (I'm saying, though!). But all three shows sold out in a matter of minutes, a real testament to the in-roads he made with his brothers.


Wednesday, November 05, 2014

(STILL) FRESH OUT THE BOX: Jessie Ware, The Ting Tings, Blake Lewis, Gwen Stefani, Jessie J, & more...

Work has taken up all my time and energy but when I get home what do I do? Blare my Spotify. While the rest of the world flails and chirps about Taylor Swift's latest, here's what's been getting the most playlist abuse by yours truly recently.


Tuesday, November 04, 2014

HEAR THIS: DANITY KANE finally unleashes "All In A Day's Work" (Hoot!)

Despite disbanding again for good this time(?), Danity Kane has released via their production group Stereotypes (who brought us "Damaged") their unofficial/official third/final album DK3 last week. Unfortunately, it was largely anticlimactic as much of what is great about this album, we've already heard during live performances ("Rhythm of Love", "Rage").

It should be praised that this effort ever saw the light of day to be honest, so I will give them that. I'm also proud that Ms. Shannon Bex is finally audible on a recording as her vocals were often lost in the mix/shuffle on previous albums.

While I would prefer to have the version with the incomparable Aundrea Fimbres, it's at least worth purchasing the strut-inducing "All In A Day's Work". Too bad the gals could hold it together to truly be the "Show Stoppers" we know they could have been....


HEAR THIS: KATE BOY continues the 90's trend with "Open Fire", "Self Control"

It remains to be a huge bummer that I never got to see Kate Boy live during CMJ week, but it is what it is, I suppose. If you aren't familiar with this Scandipop dance group and are all about this wave of 90's dance pop a la Kiesza, Gorgon City, Jess Glynne, etc. -- it's time get in the know.

Their latest jam, "Open Fire", just hit the nets two weeks ago and its predictably amazing.


But my favorite remains (and will probably always be) the ridiculously hooky "Self Control".


This 90's revival is giving me life, guys.

Monday, November 03, 2014

LIVE FROM NEW YORK: DEMI LOVATO's DEMI WORLD TOUR (also with MKTO, CHRISTINA PERRI, and KIESZA)


"I may curse like a sailor and have a shaved head, but I'm a pretty good role model, I promise!"

Following the crazy events of CMJ, I spent last Monday night (a week ago -- it feels like eons ago!) at the Barclays Center with today's youth (I mean...) to catch what was actually the final date of Demi Lovato's DEMI WORLD TOUR (in North America), her second tour run in support of her latest record, DEMI.

This is my second time seeing Demi perform live -- the first being back when she was just starting out promoting her then not even released debut album as the opening act for the Jonas Brothers on their Burnin' Up live concert tour.

It should be noted that this is my second major tour show to see at the Barclays Center (the first being Cher/Cyndi Lauper) and it's easily beating out the other super-large venue in my general vicinity - Madison Square Garden - simply because it's much closer to my actual apartment and I feel like it might be slightly smaller. No matter if that was the case or not, I had fab seats so I'm definitely not complaining!
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Unlike most major show events, this one started right on time (it's almost unheard of, right?). MKTO hopped on stage first -- a energetic duo of hip-pop featuring two former Nickelodeon kids. The vocal half, Tony Oller, actually co-starred with Demi Lovato on the short-lived short Disney series As the Bell Rings back in 2007. The crowd was still filtering in during their set but it got loud and rowdy during their final song, the summer single "Classic". Let me tell you -- it's a bit weird when you're surrounded by mostly chicks in their teen-years singing along to "Let's get it on like Marvin Gaye / Like Hathaway, I'll write a song for you like this." But it's still a jam, though.

Following MKTO, the set was immediately striked and a handful of commercial-like shorts featuring Demi were cued up on the screens. However, the crowd had only minutes to wait before the lights went down again and Christina Perri jumped onto her piano surrounded by low faux-candlelight to belt out "Jar of Hearts".


I knew very little about Ms. Perri before the show, but whether or not you love her music, she is so utterly likeable. She was pure charisma and sweetness and the crowd literally adored her, singing along to almost every song.

Christina had the longest set of the three opening acts and was quickly followed by Spencer West, a motivational speaker who lost both of his legs at age 5 and has yet climbed Mount Kilimanjaro. He kept re-iterating the lyrics of the chorus from Lovato's album cut "Warrior", stating, "Now, I'm a Warrior / Now I've got thicker skin / I'm a Warrior / I'm stronger than I've ever been / And my armor is made of steel / You can't get in / I'm a Warrior / And you can never hurt me again." He also spoke of how he first met Demi when the two traveled to Kenya on a mission to help women and to build schools for young people. This theme of inspiration was central to much of Demi's set.


After Spencer, Kiesza, accompanied by a DJ and a handful of dancers, came out dancing to a short set featuring just her singles in "No Enemiez", "Giant In My Heart" and "Hideaway". She was the opening act I was super pumped for so I was really let down that the crowd was not all about her -- perhaps their just too young to appreciate her 90's pastiche. 

It wasn't until "Hideaway" was cued up that she gained any real crowd traction (save for myself and a handful of other adults who were up dancing for her entire set). "Giant In My Heart" included dance samples of Bell Biv Devoe's "Poison" (it's literally everyone's favorite song to sample these days!) and Rob Base's "It Takes Two". 


Let me say this -- as good as she sounds recorded, she sounds so much better live. If you haven't checked out her album, Sound of A Woman, you need to. Like right now.

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There was only 15 minutes or so to wait before a green-haired Demi Lovato took to the stage wearing a leather jacket and a shiny, silver, armor-inspired corset top, flanked by a troupe of dancers to the tune of her latest single, "Really Don't Care." 

A lot of her set was predictably from her latest album, DEMI, including soulful ballads like "Nightingale" and the aforementioned "Warrior". This was balanced by her rock-influenced uptempos that show off the full range of her strong voice like "Fire Starter". Popular jams from her sophomore set, Here We Go Again, also helped beef up her uptempo material in "Got Dynamite" and "Remember December".

Demi fluidly moved from rocking the mic and grooving with her dancers, to jamming on the guitar, to playing piano, a nod to her true musical talents. While I prefer her uptempos myself, her ballads were really something to commend as I feel like she really soars when she is able to really control and reign in that big voice of hers. Some of her rockier jams run the risk of her reaching too hard for the big notes. That being said, I could have done without her version of the Frozen mega-hit "Let It Go" -- although I realize it had to be done. (I do prefer her version to Idina's though. Come at me, bro.)


The first real highlight was when she grabbed her guitar and belted out an acoustic version of the ace and underappreciated "Don't Forget" from her debut album. This was followed -- by fan request -- with an acoustic version of her debut single "Get Back".

With a twinkle in her eye, following her acoustic set up, she states she's about to perform a song she hasn't performed live in years, just for Brooklyn. As the opening chords for "Wouldn't Change A Thing" (the love duet from Camp Rock 2 with her on-screen/off-screen-ex beau) are heard, it felt like the entire crowd was holding their breath and then Joe Jonas himself walked on stage to sing with her. For those of you who are thinking the JoBro appeal is a done deal, think again -- it legit felt like an earthquake when that boy walked on stage. The duet was over in a blink of an eye. The two hugged and that was that.

Demi also pulled out a pretty fab cover of Michael Jackson's "Thriller" (complete with choreography!) before chirping "Happy Halloween". She closed her set with a one-two punch of "Skyscraper" (and yes, I did get teary eyed and I'm not ashamed) and "Give Your Heart A Break", before trading her outfit for a different metallic corset for her final jam "Neon Lights".

Prior singles "Here We Go Again", "La La Land", and "Made in the U.S.A." were nowhere to be found.

Overall, I give Demi so much props -- not just for her vocal talent, but for her ardent desire to mobilize her young demographic (rather demi-graphic...no? Not funny?) toward positivity and charitable works. As she said herself, she cannot move forward by constantly rehashing the past and this tour is a move in the direction of practicing the goodwill that she preaches and continuing onward with her now healthy, happy lifestyle. 

That type of honesty and realness with the public is rare, not just in the teen pop realm but in the larger pop community itself. A+, indeed.

Sunday, November 02, 2014

CMJ 2014: Day 5 (technically) with KATE MILLER-HEIDKE & PHEBE STARR!

Yup, this is a little (well, a lot) late but as many of you know, Halloween is a tough time for me at the ol' day job. But back to our regularly scheduled programming here...

For those of you who are unfamiliar with CMJ, it's a five day music festival that invites a thousand or so new, indie, and/or up and coming artists from around the world to New York City with one goal: the discovery of fabulous new music. For more info, check out CMJ.com.


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L to R: Kate Miller-Heidke, Oxford & Co., Phebe Starr // (C) MelismaticBlog.com
DAY FIVE (I had a schedule planned for DAY FOUR, but due to other complications, it didn't end up working out...sad face) and my final day at CMJ was spent at a bar on the LES (Lower East Side). The Delancey is a small, multi-level space, with an upstairs stage (where I stayed) and a downstairs stage. Upstairs was a glorified sitting booth transformed into a "stage" with little amplification. Basically it defined the word "intimate".

The Delancey was home to a lot of themed artist showcase offerings during CMJ and that Saturday was dubbed the "Australian Barbecue", hosted by Sounds Australia, featuring all artists from Down Under. There was also an extreme influx of Australia-to-New York transplants who were there for support so finding an actual American in the audience was a bit harder to come by.

I first stopped by in the early afternoon and caught the tail end of Totara Jack's set. Although a solo artist, he was accompanied by another handsome bloke. He has a jam on Spotify called "Supercolliders" that has elements of electro mixed in with electric guitar. Fun stuff.

Following him was another one of my most anticipated artists not just of CMJ but period -- I've been a fan of Kate Miller-Heidke pretty much since this blog began in 2008! She's currently been living in New York for a while whilst performing regularly at the Metropolitan Opera house in their production of "The Death of Klinghoffer". Her gorgeous and ridiculously talented vocal range was on full display as she performed mostly songs from her latest album, O Vertigo!.


Dressed in a dark, sparkle-shimmery blue dress with a burgundy hat and bright red lips, Kate kept the crowd transfixed. She played keyboard and tambourine in addition to singing, accompanied by a handsome partner in crime playing guitar. My favorite moments included the ever-so-Kate midtempo jam "Lose My Sh*t" and the epic "Yours Was The Body" (above).

After Kate (& some food), I returned to The Delancey to catch bit of Oxford & Co, a duo group of attractive 'Stralian boys in suits no less. Their sound had a bit of a country jam feel despite their posh look. My favorite was "Love Is Gone", complete with whistle solos.

My final act of the night and of CMJ itself was recent birthday girl Phebe Starr. Dressed in all black with super high white platforms Go Go Boots that Baby Spice would be proud of, bright blue lips and fiery orange hair, Phebe looks every bit the consummate alt-electro popstar. Standing on stage alone, she belted out a barrage of great dance jams that deserve everyone's attention. My favorite is easily "Jurassica" but her latest, "The Night" (a collaboration with Capetown), is a great one, too.


Get to know these artists on le Twitter via: @TotaraJack, @KMillerHeidke, @OxfordAndCo, and @PhebeStarr.

Follow Me on Instagram via @melismaticdiva